Making a Class Book

 

The Phoenicia School 4th Grade Residency

Our class history book: click on cover image to view as a pdf

 

A  year ago, I applied for and received a generous grant from the Dutchess County Arts Council.  The grant paid for me to teach a six-week residency in Onteora School district, in Phoenicia Elementary School’s fourth grade.  My job as a teaching author/illustrator was to augment the regular spring curriculum.  New York State History was the subject, and we decided to focus on local history.  I began reading about the Stony Clove Valley where the school stands, 147 years after the first settlers, Frank & Lemuel Chichester, came to the valley to build a furniture factory.  Here they found abundant hardwoods and a stream to power their factory.  The Chichester Chair & Cradle Factory was established in 1865.

History is not an easy subject for nine- and ten-year-olds.  We began by assigning subtopics to pairs of students who worked together to create one page of a class history book.  The book is titled, “How the Land Shaped History and History Shaped the Land”.  Focusing on the industries and trades that first attracted people to the central Catskills, we researched our subjects in the computer lab.    Each child began with questions:  Why was bluestone quarried in our area?  What kind of community grew up around the furniture factory?  What did blacksmiths do?  What role did hemlock tanneries play in the local economy?  What plants were foraged for medicine?  When did tourism in the Catskill Mountains begin?   Where was the first ski slope opened?  We gathered as much information as possible on the internet and from library books. 

Now it was time to use what we learned.  Each child tried to write a cohesive paragraph about the history of their trade.  We played “editor” and critiqued each other’s work, always returning to the basics of good communication.  Then we started our sketches.  Initial sketches were done in pencil on tracing paper.  It was hard for the children to keep these simple.  A good sketch should only establish size, shape, and placement of visual images.  All the kids were eager to fill in details and textures.

After our sketches were complete, we taped them up on the windows and traced the outlines onto sturdier drawing paper.  Coloring was fun, although some students found it challenging to draw animals, plants, and buildings accurately.  Some children were highly motivated and did a very thorough job on their drawings.  Overall, I was impressed with their work and very proud of the result.

You can view our class history book here!

In addition to the class book, we wanted to make a mural from the writing and art we created.  For the mural background, I made a paper collage of a rocky stream tumbling down between mountains.  Then the class decorated this collage with trees and plants.  Finally we mounted it on the wall and added all the images and text of our individual subtopics.  The mural is a wealth of information! 

This was a major assignment for young students, and I think they came away from the project with a real sense of accomplishment.  I know I learned a lot about the history of our community.  If you look at the class book, I bet you’ll learn something too!

Special thanks to teacher Cindy Scherry, who manages the entire fourth grade as one large class.  Her flexibility and patience were remarkable.  These children are fortunate to have Mrs. Scherry as their teacher, and I was fortunate to work with her.

And thanks to DCAC, I’ll be teaching another residency beginning next week at the Rosendale Elementary School.  Using my book WHILE YOU ARE SLEEPING, our focus will be time zones and cultures around the world.  I’ll also be teaching again next year in the Onteora school district, this time with seventh graders.  We will be writing and illustrating about stream wildlife in our Esopus Creek, which flows across the street from the middle school.  I’ll be working with the students’ biology teacher and art teacher – a great combination!

To the students of Mrs. Scherry’s class – you guys were terrific.  I’ll miss working with all of you!

Thanks also to Eve Madalengoitia of DCAC; to the Phoenicia PTA for their assistance with corollary expenses; and to substitute and assistant teachers who helped facilitate the project.

Durga

Click here to find out more about Durga Yael Bernhard’s children’s books.

 

 

 

 

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Mother’s Day 2-for-1 sale on posters and cards – one week only!


Mother & child art
SALE!!

Order any one card or poster and get a second one (of the same image) FREE!!
(please order one of each item on your order form, and I will send you two; if you order two, I’ll send you four, etc).
Cards are $2.50; posters are $12.

Orders must be placed by Friday, May 4th for delivery by Mother’s Day.
(Orders will be shipped on Tuesday, May 8th; for delivery to the west coast it is recommended that you place your order sooner;  delivery not guaranteed by May 12th but I will do my best!)

Sale ends at 5pm on Friday, May 4th.

All greeting cards are 5″x7″, blank inside.  Posters are 8.5″ x 11″.

Choose from the following greeting cards and posters.  Click on images to see larger.

Beginning Prayer
poster      card

Black Madonna – greeting card

Family   -  poster

Pregnant Sleep
poster      card

Hannah’s Prayer  -  poster

Lotus Birth
poster      card

The Mother Garden
poster      card

The Amazing Placenta  -  poster

Spring Nursling  -  poster

Earth Mother  -  poster

Sea Mother  -  poster

Mother & Child
poster      card

The Mother’s Womb  -  card

Song of Sorrow, Song of Joy  -  poster

The Bearers  -  poster

Tree of Life  -  poster

The Letting Go Spiral  -  poster

Into the World  -  poster

World Mother  -  poster

Happy Mother’s Day to all!

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The Eric Carle Museum of Picture Book Art

Meeting Readers in Massachusetts

Yesterday I presented my books at the Eric Carle Museum of Picture Book Art in Amherst, MA.  This unique little museum, located on the campus of Hampshire College, is a real gem.  After visiting the galleries, I gave a special reading in their library, a cozy room with an impressive holding of picture books.  Most of my readings are done in schools, so it was nice to see kids with their parents on a rainy Sunday afternoon.

I started by reading In the Fiddle Is a Song, my lift-the-flap book of hidden potential.  “Potential” is a big word, and a big concept, for young children.  We discussed the meaning of the word before and after I read the book, which shows examples of creative potential in both humans and nature, ranging from the potential future tree hidden in an acorn to the potential weaving in a basket of yarn or pottery in a lump of clay.  Kids have a lot of thoughts about that, and love to share.

Children love to lift flaps!  For every page I had a volunteer to come up and lift the flap to see what potential was hidden underneath.  One book did not satisfy their urge to discover, so I read While You Are Sleeping next.  This is another flap book that explores a single moment all over the world.  Each flap is a window into another culture, and shows a clock that teaches about time zones. 

I also shared excerpts of Around the World In One Shabbat, another multicultural book that follows the cycle of a single Sabbath all over the world; and A Ride on Mother’s Back, which shows baby-carrying customs around the world and what babies learn as they are carried through each day.  Several elementary school librarians who were visiting from Virginia were especially interested in this book, and bought copies for their libraries.

After the reading and booksigning, I was ushered into the museum’s beautiful art studio, a large sunroom with long tables stocked with art supplies for kids.  Visitors to the museum are encouraged to do “free drawing” with pencils, markers, or paints.  The paints are premixed in colors that are more interesting than the usual primary colors found in children’s paint sets.  I was immediately drawn to a basket of sentence fragments written on scraps of paper, intended to get children’s imaginations going.  I closed my eyes and picked out “a long-tailed firebird” and “stole a fish from an octopus”.  That was a challenge!  So I set to work on a spontaneous illustration, with no preliminary sketches.  I don’t work in magic markers very often, and enjoyed the change of medium and the spontaneity of the moment.  Before I knew it, the studio was about to close and I had to hurry to finish my drawing.

What a wonderful environment for spontaneous creativity!  The bookstore is amazing, too. I wish I lived closer to Amherst – I’d be there every day!  If you are in the five-college area of central Massachusetts, I highly recommend a visit to the Eric Carle Museum.

My daughter Sage did a beautiful drawing, too:  an imaginary meditation room, complete with incense burner and sun-shaped pillows.  It was a great day overall!  Thanks to the wonderful staff at the Eric Carle Museum for hosting me.  We had a great time!

Thanks also to my friend Chaia Heller for taking photographs at the reading.  It was great to see you!

Please request my books at your public and school libraries.  Many librarians will honor such requests.

Thanks for reading my blog and thanks for supporting my books!

Durga Yael

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Painting Yom HaShoah


A Day of Remembrance
יום הזיכרון לשואה ולגבורה

 Today is “Holocaust and Heroism Remembrance Day”, known colloquially in Israel and abroad as Yom HaShoah or Holocaust Day.  Today, not only the millions of victims who perished are remembered, but also the heroes who tried to save them.

This painting came to me four years ago, and has patiently waited as a pencil sketch in the black sketchbook I carry around ever since.  My responsibilities often preclude time for personal artwork, but this year I was determined to bring this image into form.  So I cast my deadlines aside for a day and stayed up late for two nights.  Here is the result.  This painting commemorates my grandmother’s kin, Hungarian Jews who were murdered in the Shoah, as well as countless millions of Jews and many others who have suffered and died in pogroms and holocausts throughout the ages.

The star I wore as a shiny trinket around my neck as a child was a yellow patch that meant death in my grandmother’s youth.

I offer here as well several photos I took on the grounds of Yad Vashem, the Holocaust Memorial Museum, in Jerusalem last summer.   Yad Vashem has a beautiful sculpture garden, decorated with pebbles and watered with tears.

Today is also a day of remembrance for my father of blessed memory, Jack Bernhard, who would have turned 85 today.

 

At Yad Vashem, June 2011

This sculpture commemorates Janusz Korczak, a Polish doctor, teacher, and author who was murdered at Treblinka in 1942 along with 200 children from his own orphanage.

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Painting Passover

חג פסח שמח 
Happy Passover!

Spring has arrived and Passover is here to celebrate new life and liberation.  The holiday is more than half over as I write this post.  About a month ago, I sat down with Rabbi Mike Rothbaum at the Woodstock Jewish Congregation to brainstorm about the children’s seder that was planned for this Pesach.  As a creative educator, Rabbi Mike is eager to think outside the box.  How could the children contribute?  Many would attend seders with their families, and would not be here for the actual holiday.  We decided to invite them to create a mural backdrop for the synagogue seder which would transform the classroom walls into the Sinai Desert, with the Red Sea for an entrance.

On the designated painting day, thirty kids dutifully removed their shoes and found a place to sit along the edges of long sheets of paper unrolled across the floor.  Empty coffee cans held tempera paint – ocean blues and dark seaweed colors for the Red Sea; and muted sand tones and aqua for the Sinai desert and sky.

Children do not need much guidance when it comes to painting the sea.  According to legend, when the waters of the Red Sea parted and the Israelites crossed on dry land, they walked between vertical walls of water from which they could pluck fish and other other morsels of the sea to feed the hungry. Children can easily imagine such wonders.  A dedicated group of kids set to work immediately on all kinds of sea creatures.  “No floundering around!” joked the rabbi, who never missed a chance to mix humor and learning.  Children listen well when their hands are engaged, and it was a good time to talk about the broad themes of Passover.  Among these are liberation from tyranny of all kinds, celebrating new life, and accepting the inevitable mingling of joy and sorrow.  Each theme would be symbolized by foods at the seder, and relates to the ancient tale of Exodus as well as our lives today.  Rabbi Mike establishes a warm and open atmosphere in which questions and curiosity thrive.  The discussion was lively as brushes were dipped, paint was swiped, and excitement filled the room.

We talked about how to paint the Sinai desert.  It is not a desert of mesas, like the Judean Desert or our American southwest.  The Sinai is a jagged and wrinkled wilderness, with sharp upthrusts and flat, sandy valleys.   Through this labyrinth the Israelites made their way for forty years, learning the rules of good conduct and life-affirming ethics as they went.   How could we impart a sense of the texture and scale of this wild landscape that surrounded these brave (and sometimes not so brave) wanderers?

A jagged, unrehearsed line was enough to suggest the tops of the mountains.  From the peaks of this line, random cracks came tumbling toward the earth.  Cheap sponge brushes served well to fill large areas of color.   Some children were content to sit in pairs and fill in desert sky; as always, many were drawn to paint in aqua blue.

All those hands worked quickly!  Before we knew it, the desert landscape had taken shape.  The result was a lively rendition of the Sinai wilderness, simple but energetic; and a wondrous Red Sea.  The Sinai mural was large enough to create a large arc around the seder area, which we filled with tapestries and cushions to simulate a desert tent.  As for the Red Sea – naturally, it was parted in two and pinned up on vertical partitions to line the entrance to the seder.

Several days later on the second night of Passover, over forty people filled the room.  Children and their families removed their shoes, crossed the Red Sea between painted walls of water, and entered our symbolic Sinai desert to eat symbolic foods on a symbolic journey of liberation.  But behind these ancient symbols is a journey that is real today, for each of us in our own way.  Thanks to Rabbi Mike for giving the children at WJC an opportunity to think about their place in that journey in a fresh way.

May you have a liberating holiday and a warm and fruitful spring!

D Yael

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To find out more about school visits and arts-in-ed programs with Durga Yael Bernhard, click here.

JEWISH-THEMED BOOKS BY
DURGA YAEL BERNHARD:

(click on book covers for more info)

 

 

AROUND THE WORLD IN ONE SHABBAT
is a 2012 winner of the Sydney Taylor Honor Award.

GREEN BIBLE STORIES is available in both hardcover and paperback.  This unique collection retells classic Torah tales from an environmental perspective.

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Books for Kindergarteners

Illustration from WHILE YOU ARE SLEEPING: A Lift-the-Flap Book of Time Around the World

 

Age Categories & Beyond

Recently a friend was looking for a gift for a grandchild, and asked me to recommend which of my books would be appropriate for kindergarteners.  It’s a question I’ve been asked before. When kids enter school and start learning to read, it’s only natural to want to provide them with books that will encourage their progress.

But when it comes to age categories for children’s books, I’m as fidgety as a school kid waiting for recess.  I’ll be blunt: I just don’t like them.  Why?  Because fitting a children’s book into an age category is like trying to put a round peg in a square hole.

From a literary point of view, the very idea of age categories makes me uneasy.  Sure, sometimes they work, and that book you find in the “3-6″ aisle turns out to be just the right gift for that four-year-old on the opposite coast who you’ve never met.  Or the “8-12″ tab of a distributor’s website helps a librarian find the right book for a fifth grade science project.  But just as often these categories are off, and may even be restricting.  Parents and teachers are discouraged from buying books if they don’t match the child’s age – even if, without that category, they might have considered it.  Like a pregnant woman’s calculated due date, who can really determine when a child is ripe to learn?  Surely a child’s experience of a book is an emotional one, as unique and varied as children themselves.  Teachers are familiar with the frustration of trying to teach all their students at the same pace.  Likewise, librarians must keep a broad range of individuals in mind as they make their selections.  This includes advanced readers who may be hungry for more text at a younger age; kids who are slower to read and thrive on images; and creative readers of ALL ages who are attracted to picture books as cohesive works of writing and art.

Age categories do have their value as a marketing tool.  They help guide publishers, distributors, retailers, librarians, and teachers in organizing and presenting books.  These professionals present groups of books to groups of people.  They rightly regard books as a resource and commodity.

But let’s not confuse marketing with reading.  I don’t make books for buyers, I make them for readers.  I don’t aim for age groups, I aim for some little kid’s heart.  You never know what mix of pictures and words will speak to a child at any given age.  Some books are meant to be read out loud, and can hold a 5-year-old’s attention longer than a book he is first trying to read by himself.  Children on the cusp of reading need greatly simplified words and consistent word forms.  Children who are listening need content that will stimulate their minds.  A boy of three could be ready for my DRAGONFLY or SALAMANDER book (Holiday House, written by Emery Bernhard) if he is fascinated by insects or amphibians; while another child might not take interest in these books until she has to write a biology report in middle school.

I thought about my own three children as kindergarteners, and what nourished them in that magical transition year when they got on the school bus and went out into the world for the first time.  The dreamlike world of preschoolers changes as they enter kindergarten and begin to rapidly absorb knowledge.  Their sponge-like brains are dazzled by the world of facts.  Social knowledge is also assimilated as they experience themselves as part of a group.  Behold!  Suddenly they have lives of their own.

So here are my best books for kindergarteners.  But in making your choices, please consider the child and the book, not the age range printed on the jacket.

While You Are Sleeping - Books for Kindergarteners

LOOK INSIDE  / BUY

Kindergarten-age kids love the hide & seek flaps of this book.  Older readers who are learning about time zones and how to tell time can understand these concepts readily through visual imagery.  Kids of all ages love to peek into other kids’ lives. A CBC/NCSS Notable Social Studies Trade Book; and an International Reading Association Notable Book for a Global Society.

Around The World in One Shabbat - Jewish Books for Kindergarteners

LOOK INSIDE  / BUY

You don’t have to be Jewish to . . . take a trip around the world, into the warmth and joy of the Sabbath.  Kids love it when their parents take a break!  Find out what this ancient tradition – and the people who celebrate it – are all about.  A Sydney Taylor Honor Book.

 A Ride On Mother's Back - Recommended book for Kindergarteners

LOOK INSIDE  / BUY

In print since 1997, this classic and colorful portrait of babies from diverse cultures being carried through their daily lives has become an icon of natural parenting.  An American Bookseller Association Pick of the List.

In the Fiddle is a Song - A good book for kindergarteners

LOOK INSIDE  / BUY

This unique flap book invites children to explore the hidden potential in both the natural world and the world of human creation.  Selected by Child Magazine as Best Book of 2006; winner of the Please Touch Children’s Museum Award.

LOOK INSIDE  / BUY

This entertaining story from Eritrea is a classic tale of childhood mischief.  Recently published as a bilingual edition in English and Amharic by Ethiopia Reads.  Buying this book helps bring books to children in Ethiopia.  Available only in paperback.

The Way of the Willow Branch - A great book for kindergarteners

LOOK INSIDE BUY ON AMAZON

A gentle tale that helps young children understand the cycle of water as a willow branch makes its way from the mountains to the sea.

To and Fro Fast and Slow - Children's book for kindergarteners about divorce

LOOK INSIDE   BUY ON AMAZON

This rhyming book of opposites follows the life of a child of divorce as she goes back and forth between two worlds – and finds they have much in common.

Earth Sky Wet Dry - Book for kindergarteners about nature

LOOK INSIDE BUY ON AMAZON

A rhyming book of nature opposites, this book shows the many life forms that exist in the world of a single tree.  Older children will enjoy the field guide at the back of the book.
A Parent Council, Ltd Outstanding Book Selection

What's Maggie Up To - Rhyming book about nature and opposites.

LOOK INSIDE BUY ON AMAZON

This was my first picture book, published in 1992.  Kindergarteners still love stray cats, friendly neighbors, and counting kittens.

Ladybug - A children's picture book about stray cats and friendly neighbors.

LOOK INSIDE BUY ON AMAZON

A non-fiction book well-suited for curious kindergarteners, this title was named as a NSTA-CBC Outstanding Science Book for Children in 1993.

Dragonfly - Science and nature book great for kindergarteners.

LOOK INSIDE BUY ON AMAZON

Everyone loves dragonflies.  This book gives young readers both facts and folklore about these colorful insects that are symbols of good luck.

How Snowshoe Hare Rescued the Sun - Recommended for kindergarteners.

LOOK INSIDE BUY ON AMAZON

This bold and simple folktale from the Yuit people of Siberia tells how the Arctic sun disappeared – and is rescued by the humblest creature.  A NCSS-CBC Notable Children’s Trade Book in the Field of Social Studies

Salamders - Great children's picture book for scientific kids.

LOOK INSIDE BUY ON AMAZON

Another good choice for budding scientific minds, this book has just enough facts for kindergarteners.

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Two Awards and a Blog Tour

AROUND THE WORLD IN ONE SHABBAT and WHILE YOU ARE SLEEPING both celebrate cultural diversity, and show children participating in the cycle of time.

This month, two of my books won awards.  AROUND THE WORLD IN ONE SHABBAT (Jewish Lights Publishing) won the Sydney Taylor Honor Book Award, and WHILE YOU ARE SLEEPING (Charlesbridge Publishing) has been named as a Notable Book in the Field of Social Studies by the Children’s Book Council (I’ll have more to post about that soon).   The former is for excellence in children’s literature and declares my book an authentic depiction of the Jewish experience; the latter endorses my book as an educational resource.  In both cases, I was surprised and delighted to receive the good news!

Awards were given in several categories by the Sydney Taylor Award, and all of the winning authors will be interviewed in a blog tour.   On Thursday, February 9th, I will be interviewed on a blog called Frume Sarah’s World.  On Friday, February 10th, all award-winners will be interviewed in a “wrap-up” at The Whole Megillah.  You can read the interviews anytime from those dates on.  I hope you will do so!

I’m especially pleased about these awards because although my two books are quite different – one teaches about the Sabbath and the other about how time zones work – they also have something in common.  They are both multicultural books that depict the ordinary lives of children all over the world as they participate in the cycle of time.  But in this case “ordinary” does not mean boring.  I chose to depict lesser-known aspects of children’s lives that are not so familiar in America.  Young readers in our society may not be aware that in other parts of the world, children may have to carry water, gather firewood, milk a goat, or paddle a canoe in order to help provide a meal.  At the same time, the books depict crucial similarities between our lifestyles and those of children in faraway places.  Many people – Jews, Christians, and Muslims – celebrate the Sabbath in one form or another, but how often do we get a peek at a family in Istanbul or Ethiopia celebrating the same tradition that guides the rhythm of our lives?

The underlying theme behind all these differences and similarities is simple:  it’s about good old-fashioned healthy family living.  Old-fashioned in terms of values, not shape or form.  We live in a time in which the definition of “family” is rapidly changing.  But good family values can survive these changes and even be strengthened.  No matter where you live or what your economic status, healthy family living is possible for you.  It’s all a matter of how we value and treat our children.  The children shown in AROUND THE WORLD IN ONE SHABBAT, whether rich or poor, are blessed to be part of a tradition that helps keep families healthy and happy.  The children shown in WHILE YOU ARE SLEEPING, whether rich or poor, are participants in the cycles of time, weather, seasons, and family life.  These are the rhythms of our children’s lives, and they all intertwine.  We do our best to set the beat wisely for them.

It’s no accident that Remember the Sabbath is the fourth commandment, and the first in positive form.  According to Wikipedia, ancient understanding of the fourth commandment took it to go beyond “a sign and remembrance of God’s original rest during the creation week; it extends to a concern that one’s servants, family, and livestock be able to rest and be refreshed from their work.”  In our times, translate servants into employees, and livestock into all domestic animals.  Equally, we are taught to invite guests and even strangers to the Sabbath table:  as a sanctuary in time it is a birthright for all who pass within our domain.

Maybe it’s also no accident that the international time clock to which the entire world adheres is seemingly lacking in contention.  It is difficult to think of another man-made system in which the whole world agrees to participate peacefully without issue.

As one teacher in my daughter’s elementary school reminded us while introducing a play the kids put on during “Diversity Week”:   We are all the same, in all different ways.

I liked that.  And the kids’ play was a hoot.  Through smiles and a few tears, I wondered: who is teaching whom?

Please help spread the word about my books, and request them at your local bookstores and libraries.  Librarians (whether at school or public libraries) will often honor such requests.  If I live nearby or pass through your area, I’ll be happy to come in and sign the books.  As always, I am available for author events.  And I love to hear from my readers, young and old.

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The Sydney Taylor Book Award

What a surprise!  On an ordinary January school night, I was helping my daughter with her homework when an unexpected phone call came from California, informing me my picture book AROUND THE WORLD IN ONE SHABBAT (Jewish Lights Publishing) has been chosen as an honor book by the prestigious Sydney Taylor Book Award.  It took a few minutes for the good news to sink in.  I was shocked!

The Sydney Taylor Book Award honors new books for children and teens that exemplify the highest literary standards while authentically portraying the Jewish experience.  The award memorializes Sydney Taylor, author of the classic All-of-a-Kind Family series.  Presented by the Association of Jewish Libraries since 1968, the award encourages the publication and widespread use of quality Judaic literature. Gold medals are presented in three categories: Younger Readers, Older Readers, and Teen Readers. Honor Books are awarded silver medals, and Notable Books are named in each category.

The Sydney Taylor Book Award will be celebrating titles recognized in 2012 with a Blog Tour, starting on February 5, 2012! Interviews with winning authors and illustrators will appear on a wide variety of Jewish, kidlit, and family-interest blogs. For those of you who have not yet experienced a Blog Tour, it’s basically a virtual book tour. Instead of going to a library or bookstore to see an author or illustrator speak, you go to a website on or after the advertised date to read an author’s or illustrator’s interview.

I’ll post details of the tour as soon as I have more information.  In the meantime, I hope you’ll take a look at AROUND THE WORLD IN ONE SHABBAT.   You can read more about the book and watch my video (click on link, then scroll down to find the video) with a quick slide-show tour of the book and me painting an illustration, or watch it on Youtube.  The video is approximately 8 minutes long.

If you look inside this book, you’ll notice it’s not just about the Sabbath.  It’s about families and kids and all the things they do when a special day is set apart just to enjoy life.  This is the time when parents slow down, and families get the unstructured time they need so badly.   The Sabbath is also a weekly occasion to share great food.  There are all different ways to enjoy the Sabbath, and all different ways to think about it.  It’s a tradition that’s alive and evolving in many cultures.  I hope AROUND THE WORLD IN ONE SHABBAT will help educate you and your kids about the Sabbath.

My gratitude to all who support my books!

D Yael Bernhard

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First Day is Fine Art Day

View from Ein Gedi - 22"x 9" acrylic on paper © 2012 Durga Yael Bernhard

Happy New Year to all my readers!  I hope 2012 is off to a good start for you.  “First Day” is “Fine Art Day” for me, so I eschewed all the New Year’s Day parties – including the renowned meta-bash at the “Logstock” home in nearby Woodstock, New York – and set up my acrylics to do my first painting of the year.  My choice of subject was a small painting I started while traveling in Israel last summer.   The warm colors of the Judean Desert were a welcome contrast to the wintery hues that surround me at this time of year.  I worked loosely and quickly – also a welcome contrast to the rigors of commercial illustration.  Fine art replenishes my soul and reacquaints me with subtlety and ambiguity.  It allows for the fresh air of uncertainty and suggestion.  It answers to no laws other than its own – something I observed years ago while gazing at the dizzying freedom of a Matisse painting.  What made each image tick seemed to change from painting to painting.  Yet without a doubt, Matisse bowed to the laws that governed his work, though only he could perceive them.

All my life I’ve walked the line between commercial and fine art.  If you have visited the gallery section of my website, you will see the two categories all mixed together.  Like a shoe lace that goes back and forth, back and forth across a gap, I’ve managed to bring the two sides closer.  The line blurs and zigzags – some of my fine art paintings have been published as illustrations, and illustrations have been purchased as original art – but it never disappears completely.  My Gemini nature seems to demand that I walk both sides of the line.

Pencil sketch for illustration of "Alo the Spirit Giver", a Hopi tale

And the two sides often have a way of overlapping.  My painting of the view from Kibbutz Ein Gedi will serve as a study for a series of illustrations I am about to do for an educational children’s book about the Hopi people.  Here is a sketch for one illustration.  The mesas of  Arizona are not unlike those of the Judean Desert.   In both cases, I need to practice simplifying the complex forms of eroding canyons.  The sheet of light that hangs over the desert is both vivid and elusive.   It is easy to understand why people are drawn to live in the desert, despite its harsh environment – and why artists come here to paint.

I remember the botanical gardens at Kibbutz Ein Gedi as one of the most cheerful places on earth.  The exotic plants and trees lovingly  tended by humans have transformed this arid plateau into what seems like a living miracle.  The color that suffuses the mineral-drenched Dead Sea gives it the look of an impressionist painting that has already rendered itself.   I almost felt like my perception  were being baked in a great, hot kiln – not just heat, but time beat down upon the sun-baked earth, where the history of our present civilization has unfolded for over three thousand years, and is still unfolding today.

Detail of "View from Ein Gedi"

This year, I want to bring more fine art back into my daily life – even if it’s just a pencil sketch or a ball point pen scribble.  Even if I can’t finish what I start.  Even if I waste art supplies.  Even if it never gets published or sold.  You never know what will nourish the wellsprings of creativity . . . or what hidden waters flow beneath the desert, ready to spring to the surface.

Warm wishes to all in the winter months ahead.  May color and light fill your year.

Durga

Walking with my art supplies toward the tree shown in the painting above

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Olives from Afar

Study of olive grove, Kaditah, northern Israel - (all artwork © Durga Yael Bernhard - do not reproduce)

A Picture Book Creates Its Author

Sometimes authors and illustrators don’t pick the subjects of their books.  Sometimes the subjects pick them.  Five years ago, I had no particular interest in olives.  Then the idea for a book about an ancient olive tree took root in my psyche, and has been growing ever since. 

This will not be my first book about a tree.  In 2000, I wrote and illustrated Earth, Sky, Wet, Dry: A Book of Nature Opposites (published by Orchard Books; later republished in Korea).  This book grew out of the desire to paint illustrations from the natural world around my home.   The fields and orchards where I lived along the Hudson River were bucolic and sunny, and made a lovely setting for a book.  I discovered the joy of illustrating a winter scene directly from my own window on a snowy day, or painting wildflowers from the nearby woods to include in the book.  My main subject was a pear tree from a nearby orchard – and all the flora and fauna that exist in the world of a single tree.  It didn’t have to be a pear tree; any fruit tree would have served just as well.  

Not so with the olive tree.  This time, the tree provided the seed, and the book has grown from there.   And just as the olive tree, with its unique gifts and long-reaching lifespan, has helped shaped human history for hundreds of centuries, it is having a shaping effect upon my life, too.  Like a pregnant woman who craves new foods her body knows it needs, in order to research this book I have found myself drawn to learn things that never would have interested me before.  I had the great good fortune to travel to Israel twice to visit ancient olive groves in the Galilee, and modern ones near Tel Aviv.  I talked with olive farmers and photographed olive presses with ancient grinding stones, and modern ones equipped with stainless steel centrifuges.  I read about the history of olives, how olive presses have developed over the centuries, and about the present-day olive oil industry.  Did you know that green olives are unripe black olives?  Did you know that the black olives sold in cans in American supermarkets are not really black?  Did you know most Italian olive oil comes from Spain?  Did you know “extra virgin” refers to the acid content in the oil?  I didn’t, before I started working on this book.  And there is so much more to learn.

Valley of the Cross, Jerusalem

This book is not just about trees.  It’s about people.  It’s about culture and tradition.  It’s about history, conquest, and peace.  It’s about food and farming, trade and technology.  Olive trees encompass all of these subjects and more.  The oil has annointed kings and is burned for light, miraculously sustained for eight nights in the story of Chanukah.  The dried “mash” of fiber and pits that are left behind after pressing is burned for fuel.  Charcoal from olive pits has been found in Jericho dating back ten thousand years.  And just as the trunks and limbs of these hardy fruit trees are sculpted by time into unique shapes, the wood of the olive tree has long been carved into bowls, spoons, and other objects.

The drawings and paintings you see here are some of my studies of olive trees and the environments in which they live.  I worked on site in pencil, and I took photographs from which to paint at home.  Here you see a portrait I did of the gnarled and sculpted bark of one particular tree in the Garden of Gethsemane, where legend holds that Jesus of Nazareth spent his last night before being arrested by Roman soldiers and made to carry a cross of olive wood up the Via Dolorosa.  Even before the Roman conquest of the Holy Land, the olive tree was a symbol of resurrection due to its miraculous regenerative powers.  This tree was alive then, and you can still see new growth sprouting from its ancient bark.  It is said that if an olive tree could talk, it would say, “Make me poor, and I’ll make you rich”, because hacking away at the tree makes it produce abundant fruit.  Olives are uniquely dependent upon humans, not just to unlock the  nutritious treasures of its bitter fruit, but to keep the trees pruned, without which they cannot live very long.  A tree that is properly pruned can live for thousands of years, constantly regenerating itself even as the older parts of the tree die.

 

City Olive, Jerusalem

As I write this post, the olive harvest is winding down all over the Middle East.  Israelis and Palestinians are taking their newly-picked olives to community presses, where techniques for curing and pressing, packaging and preserving are debated endlessly.  Like the land in which they grow, olives are a rich and complex subject, and the debate is often lively, and – despite what international headlines would have us believe – quite friendly.  Some of those presses are shared, as people travel back and forth across physical and cultural boundaries to get their olives pressed.  Olives, true to legend, do foster peace.  For olive-loving folk, the press is a place of common ground. 

Further north in Greece, France, Italy, and Spain, the harvest goes later.  With a little luck, I’ll be picking olives in one of these places next autumn.  What’s a year, in the lifespan of an olive tree?  In the meantime, my heart is with the harvest as I follow news of the olives from afar. 

I can’t wait to weave everything I’ve learned about olive trees into my future book.  Some books take a long time to ripen – but like well-seasoned wine or perfectly-blended oil, it’s well worth the wait. 

Under an olive tree in the Galilee, Israel - July 2011


 

 

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